Cordelia Williams (piano)
Cordelia Williams
A pianist who combines breath-taking virtuosity with a deep emotional connection to the music.

Cordelia won the BBC Young Musician of the Year in 2006 and then gained a First in Theology from Cambridge University. The combination of interest in both music and theology has led to an interest in the late Classical and early Romantic repertoire especially that of Schumann and Schubert.

Cordelia has performed extensively both in this country and the world and critics have praised her subtle poetic playing, her impeccable technique and her uninhibited playing which is full of joy.
Programme
Friday 25th January 2019
Rachmaninov
Preludes from op.23 and op.32
Prokofiev
6 Visions Fugitives
Janáček
V mlhách (In The mists)
------interval-------
Pärt
Für Alina
Liszt
Sonata in B minor


Cordelia says about her programme that it is a 'Journey through Eastern Europe'.

From the sultry passion of Rachmaninov to the meditative intensity of the Estonian Arvo Pärt,this recital explores the sound worlds of Eastern Europe. Leoš Janáček wrote the cycle 'V mlhách' during a dark and uncertain period of his life - the four folk-influenced movements seem shrouded at times, but glow with intimacy and introspection.

While we take every precaution to ensure that programmes are correct, we reserve the right to make changes to them.

More biographical information

Cordelia Williams is recognised for the poetry, conviction and inner strength of her playing and the depth and maturity of her interpretations. She has performed all over the world, including concertos with the English Chamber Orchestra (in Mexico City), City of Birmingham Symphony Orchestra and Royal Philharmonic Orchestra (at Barbican Hall, London), as well as recitals at Wigmore Hall, Royal Festival Hall and Beijing Concert Hall.

At the core of Cordelia's musicality is a fascination with the human soul and the artistic expression of struggles and beliefs; alongside her performing career she gained a First in Theology from Clare College, Cambridge. Cordelia is drawn especially to the music of the late Classical and early Romantic periods: her debut CD, featuring Schubert's complete Impromptus for SOMM Recordings, was released to critical acclaim in July 2013. This was followed in 2015 by a recording of music by Schumann, with one reviewer describing her as 'Schumann's 21st century interpreter and soul-mate'.┬áCordelia recorded her third CD this January, featuring music by J. S. Bach and Arvo Pärt and due for release in October.

Her curiosity towards religions and faith led to her recent cross-arts project, Between Heaven and the Clouds: Messiaen 2015. In collaboration with award-winning poet Michael Symmons Roberts, former Archbishop of Canterbury Lord Rowan Williams and artist Sophie Hacker, this year-long series of events and performances explored the music, context and theology of Messiaen's Vingt Regards sur l'Enfant-Jésus.

Cordelia has a great enthusiasm for presenting and introducing music; her Cafe Muse evenings bring classical music out of the concert hall and into the relaxed setting of bars and brasseries. She is also a passionate chamber musician, having appeared with the Endellion, Fitzwilliam and Maggini quartets among others. Since becoming Piano Winner of BBC Young Musician 2006, she has enjoyed traveling and performing through France, Italy, Norway, Switzerland, Austria, Thailand, China, America, Mexico, Kenya and the Gulf States. Cordelia recently welcomed her first child, a little boy with long, pianistic fingers.

Hearing her mother teach piano, Cordelia wanted to learn to play too, and began lessons at home as soon as she could climb onto the piano stool. She gave her first public piano recital to celebrate her eighth birthday. She spent seven years at Chethams School of Music in Manchester, studying with Bernard Roberts and Murray McLachlan. She went on to work with Hamish Milne in London, Joan Havill and Richard Goode, and is grateful to have received support from the Martin Musical Scholarship Fund, the Musicians Benevolent Fund, the Stanley Picker Trust, the City of London Corporation, the Arts and Humanities Research Council and the City Music Foundation.